
Canon EOS R7 the workhorse.
The camera body I trust when the conditions are worth the housing.
Fast enough for seals, compact enough for shore entries, and the crop sensor reach helps when the subject does not want me any closer.
what actually comes with me
Cameras, glass, housing, fins, suit, and audio. This is the field kit I actually use underwater, not a product roundup wearing borrowed wildlife photos.




The camera body I trust when the conditions are worth the housing.
Fast enough for seals, compact enough for shore entries, and the crop sensor reach helps when the subject does not want me any closer.

Small enough to keep moving when the main rig should stay packed.
This is for deck clips, quick water entries, and moments where I want movement without committing the full stills setup.

The camera I use when I want the swim, not just the frame.
Chest mount, pole, or quick handoff. I can focus on the dive and decide the exact composition later.

A small wide zoom that keeps the R7 setup light.
The lens I reach for when the water is clear enough to show the whole room: kelp, sun shafts, diver, animal, and negative space.

The lens for close subjects and wider-than-wide water.
It earns its spot when I need to get close and still keep the world around the subject. Not subtle, but underwater subtle is overrated.

The piece that turns a camera into an underwater camera.
I care about this more than almost anything else in the kit. If the housing is awkward, everything downstream gets worse.

Warmth and mobility for California water.
If I am shivering, I am rushing. The suit is part of the photo system because it buys me time.

The difference between reaching the scene and fighting the water.
Long fins matter when the camera is heavy and the current is not interested in my schedule.

For boat audio, quick interviews, and explaining what happened before the dive gets mythologized.
Underwater is silent. The story usually happens on deck, in the truck, or while the housing is still dripping.
When the visibility is worth it, the main rig gets built first and everything else supports that frame.
When the scene is moving faster than I can compose, I keep the kit light and let motion carry the story.
The longer I can stay relaxed in the water, the better the pictures get. The dive kit is not optional.